(00:04:11) Rise Against - The Good Left Undoneġ4. (00:03:15) Rise Against - Behing Closed Doorsġ2. (00:03:20) Rise Against - Worth Dying Forġ0. (00:03:44) Rise Against - The Approaching Curveĩ. (00:03:19) Rise Against - Prayer of the RefugeeĨ. (00:02:45) Rise Against - Under The KnifeĦ. (00:03:47) Rise Against - Ready to Fallĥ. (00:03:35) Rise Against - Chamber the Cartridgeģ. The band solidered on, enlisting Only Crime's Zach Blair to temporarily take hisġ. Playing shows into 2007, but their extensive tour schedule eventually proved to be too much for Chasse, whoīowed out that February. Up Warped's main stage before hooking up with Thursday and Billy Talent that fall. Their fourth album, The Sufferer & the Witness, appeared in July 2006Īnd its debut at number ten on the Billboard Top 200 was their highest yet. (They performed a rousing version of Black Flag's "Nervous Breakdown" for theįilm's soundtrack.) Rise Against continued to tour throughout that summer, including a spot at the U.K.'s In 2005, Rise Against appeared in the skateboarding film Lords of Dogtown, playing an
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Toured steadily after the album's release, received plenty of solid press, and even saw Counter Culture crack Rise Against made their major-label debut in August 2004 with Siren Song of the Counter Culture. By this point, guitar duties were being handled by Chris Chasse (Reach the Solid response from fans and critics alike, as well as a stint on the Warped Tour, Rise Against left the Fat Extensive touring followed, leading to their sophomore outing, 2002's Revolutions Per Minute. Precision left the band that same year to be replaced by Todd Joined by fellowĨ8 Fingers vet Dan Precision on guitar and, eventually, drummer Brandon Barnes, Rise Against signed to Fat McIlrath for a new project rooted in the sound and social vision of traditionalist hardcore. Rise Against - 2006 - The Suffer and The Witness (320kbps) KindMetalRGĬhicago's Rise Against began in 1999 when ex-88 Fingers Louie bassist Joe Principe tapped area vocalist Tim Album DescriptionRise Against - 2006 - The Suffer and The Witness (320kbps) See More Your browser does not support the audio element. So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.
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